Fifty years since Lemmy put the band together in 1975, and the 50 design marks exactly that. Not bad for a group most people assumed wouldn’t last the decade.
The tri-tip shape is the practical part. Three playing points instead of one means you work through a pick far more slowly — rotate it as each corner dulls rather than reaching for a replacement. Anyone who plays regularly knows how fast a favourite pick disappears, and this shape stretches the life of every one.
Picks also vanish in ways nothing else does. Down soundholes, into carpet, out of pockets on the walk home. Most of the ones you lose were anonymous, so you shrug and move on. An anniversary design you’ll actually bend down and retrieve.
They work as something to play with or as a small collectible for a fan who doesn’t play at all. Plenty of people tape one inside a case, stick one on a pedalboard, or leave one in a wallet for years. Spread a few between the gig bag, the car and the drawer by the amp and you’re covered.
Fifty years of everything louder. Worth a set.
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